Creative Writing Audition:
The creative writing audition is one hour long with approximately twenty students auditioning at the same time. Each student should come prepared with pen/pencil, paper and either a short story or personal narrative that they can leave as part of their audition.
In order to keep the audition unbiased, each child will be assigned a number and numbers and names will not be put together until after all audition pieces have been assessed by two evaluators.
The audition consists of one ten minute timed listing exercise and one forty minute exercise in which the child will be asked to write a short story based on one of several ‘story starters’ provided at the time of the audition.
Listing example: List as many green things as you can.
Story starter examples: I was alone on the mountain.
Do you know what it feels like to be a rock?
A strange noise was heard coming from the basement..
Creative Writing Scoring Rubric:
|
|
Below
Average |
Average
|
Above
Average |
Advanced
|
Fluency |
Few
significant ideas |
Several
ideas but may not be significant |
Many
ideas that are significant and meaningful |
Stream
of ideas unusual for developmental level |
Flexibility |
Few,
if any, different categories |
Two
or three categories |
Several
categories but ideas seem to be focused on only a few; use of piggybacking
strategy |
Shifts
categories often and with ease |
Elaboration |
Little
depth; few, if any, details |
Several
details but may lack depth |
Includes
many details that add depth and complexity |
Imagery-vivid,
detailed |
Originality |
All
common responses; products represent what is taught or required |
One
unusual idea in a list or a category: products show an attempt to expand
on what is taught or required |
More
than one unexpected idea; uses creative products as a form of expression;
goes beyond what is taught or required |
Several
unique ideas in a list or a category; products are unique and are used as
a form of expressio; goes above and beyond what is taught or required |
Synthesis |
No
evidence of synthesis (redefinition of existing ideas or parts into
something new) |
Attempt
at synthesis but associations may not be accurate |
Modifies,
improves, adapts ideas |
Uses
synthesis with high frequency at a high level |
Risk Taking |
Little
or no evidence of risk taking; flexibility of perspective |
Attempts
to improvise; spontaneous |
Nonconforming;
willing to experiment; no fear of being different |
Adventurous;
relishes experimentation; evidence of independence of thought |
|
Initiative/ Perseverance |
Little
or no initiative or perseverance; easily frustrated; difficulty executing
idea(s) to completion |
Initiative
and perseverance as evidenced by energy and interest in representative of
grade level peers; executes idea(s) to completion with assistance |
Enthusiastic;
initiative and perseverance is above grade level peers as evidenced by
energy and interest in the project; has skills in planning and organizing |
Energy
and interest extremely high; shows initiative as a self starter and
perseverance by tolerating frustration.
Highly involved; resists interruption |
Humor |
Sense
of humor is verbally below same-aged peers. |
Sense
of humor and ability to make/understand puns, jokes and humorous analogies
is verbally representative of same aged peers |
Sense
of humor is above same aged peers; pattern breakers |
Sense
of humor is advanced, sophisticated |
|
Awareness
Audience/ Purpose |
Limited
Awareness of audience and/or purpose |
Some
evidence of communicating with an audience for a specific purpose; some
lapses in focus |
Focused
on a purpose; communicates with an audience; evidence of voice and/or
suitable tone |
Establishes
a purpose and maintains clear focus; strong awareness of audience;
evidence of distinctive voice and/or
appropriate tone |
|
Idea
Development |
Minimal
idea development; limited and/or unrelated details |
Unelaborated
idea development; unelaborated and/or repetitious details |
Depth
of idea development supported by elaborated, relevant details |
Depth
and complexity or ideas supported by rich, engaging, and/or pertinent
details; evidence of analysis, refection, insight |
Organization |
Random
and’ or weak organization |
Lapses
in organization and/or coherence |
Logical,
coherent organization |
Careful
and/or subtle organization |
|
Sentence
Structure |
Incorrect
and/or ineffective sentence structure |
Simplistic
and/or awkward sentence structure |
Controlled
and varied sentence structure |
Variety
in sentence structure and length enhances effect |
Language |
Incorrect
and/or ineffective language |
Simplistic
and/or imprecise language |
Acceptable,
effective language |
Precise
and/or rich language |
Mechanics |
Errors
in spelling, punctuation, and capitalization are disproportionate to
length and complexity |
Some
errors in spelling, punctuation, and capitalization that do not interfere
with communication |
Few
errors in spelling, punctuation, and capitalization relative to length and
complexity |
Control
of spelling, punctuation, and capitalization |